The World of Midori

So I’ve been trying to organise life. My memory is shite (likely an on-going thing) but I have found writing down stuff helps.

So I heard about Midori (now Traveler’s Company), specifically the Traveler’s Notebook. I actually came across these while in Daimaru, one of the most famous of Japanese department stores, in 2010. I spent a lot of time in Daimaru. Anyway, I didn’t actually know what it was and it certainly doesn’t look like your average notebook.

Because it’s not.

The TN is actually a piece of leather with a band through it and a range of ‘inserts’ (think books of gridded, blank or craft paper, diaries and zipper pockets). The key thing is the customisability and individuality: it’s the system and how you use it, what notebooks you choose just add to the experience. The TN is super expensive and only has one band so I knew that a ‘fauxdori’ was going to be the way to go. Etsy helped out and I ended up buying two: a passport-sized one for a wallet and a slightly larger one which fits Field Notes and Moleskine notebooks.

I’ve found I need order when I write so I wanted to make a wallet which allowed me to carry all my stuff but also include a Midori gridded insert for to-do lists and tracking my expenses. Having it in a wallet means it’s my go to for everything and I can have it with me all the time. I use two zipper pouch inserts to hold cards and cash, as well as USB keys and some stamps, a kraft folder at the back for receipts and other bits and pieces. Oh and I also got some plastic pockets that I pasted onto the inside cover giving me some extra pockets for coupons. I also hacked it with some hair bands (because they’re cheaper than the official Midori bands) so I can hold everything together.

It’s actually quite compact and I added a lucky 5円 coin I brought back with me. I can even put my passport and JR Pass into it the next time I go back to Japan.

The blue fauxdori (I hate that name; it’s not a knock-off, it’s an improvement on a very good idea) hasn’t gotten quite as much use. I have a stationary fetish. I found Field Notes and got some cheap Moleskines, they’re both the same size but the latter has more pages. I’ve currently got five loaded into my larger fauxdori

  • A braindump journal
  • A commonplace book (for sayings and quotes I love)
  • An ideas book for novels and short stories
  • A dedicated journal for specific projects, in this case:
  • Oh and there’s a kraft file in there too for odds and sods.

I need dedicated space for each thing and this seems like it might just be the system for me. The unofficial version is customisable and cheaper, as well as being easier to get notebooks for (as nice as the Midori ones are, they’re expensive). That said I might have to visit the London Graphic Centre tomorrow … hmm Midori ….

Actually, I’ve started decorating them. I covered my wallet Midori with washi stickers and it came out pretty well. I have some washi tape and can’t wait to decorate some of the more boring Moleskines I picked up.

Yes, I know, I have a stationary problem. It’s the least of my vices at this point.

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How to Write Short Stories on a Deadline

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This week I’m trying to get two stories ready for submission to specific calls in the hope they might sell. One is the story formally known as “Infinity Girl and the Shadow” (and is going to be renamed if it kills me) and the other is (also about to be renamed) “Washed Up Upon the Shore”“. The call for the former shuts on Thursday, the one for the later at the end of the month.

Guess which story I’m working on right now?

Yeah, the one not due for another few weeks. But, I suppose, at least I’m trying to write something.

Actually, it’s not that bad; I spent most of Sunday cutting 1500 words out of my magical girl story. It’s pretty close to done and I’m remembered how much I like redrafting when I actually focus on the work, when I cut things because they’re extraneous, it feels like I’m good at what I do and the story is all the more polished for it. Especially as the tilt on this isn’t the and never had been the superheroness (in this case the magical girlness) of the story but how that impacts on reality and the protagonist’s life and relationships.

“Washed Up” (which is probably going to be renamed “Like Pearls, Spilled and Scattered”) is about what makes a person and how purpose can sometimes override memory, personality. Good people will do good things, even if you strip them to the bone, because of who they are in their core. Oh and it’s my attempt at a Lovecraftian story without the Lovecraft but all the magic and mysticism. I’ll definitely be returning to this world, though not the same area.

I just wish it wasn’t so warm out, this really kills my ability to be creative.

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The Liner Notes: “Infinity Girl and the Shadow”

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This actually started out from a very specific question relating to a rewatch of Sailor Moon Crystal (apologies for the anime screengrabs) and re-reading the manga in Japanese to help make my language skills not so rusty. Sailor Moon was how I learned Japanese, because I was eighteen and magical girls were cool. Plus the manga’s simple language and furigana helped, as did the size. I used to work in a kitchen and had an apron with two pockets. I’d keep the English Tokyopop translation (hahahahah!) in my left and the original Japanese edition in my right.

Yes the translation was crap but the idea basically survived and it did help (now I’ve switched to Japanese computer game streams, Dark Souls and Bloodborne, mostly). The early 2000’s were, however, a much more analogue age and there were two Japanese books stores in London that would accept my Student Loan money to feed my burgeoning addiction.

But, anyway, back to the question. Excuse the long, rambling, fangirlish and roundabout way we get to it.

Usagi (the main character) was Princess Serenity in a past life, heir to the moon kingdom known as the Silver Millennium, who fell in love with the heir to the Earth, Endymion (yes it is based on the Greek myth of moon deity, Selene, and human shepherd, Endymion). With the second arc, we’re introduced to her future self Neo-Queen Serenity, monarch of Earth who kicks arse and is awesome. I adore both princess and queen forms of Usagi’s alter-ego but NQS literally performs miracles and has all the grace, age and power Usagi lacks.

Within the mythology of the manga, Usagi gets her throne because of her past life (though this makes little logical sense as she’s reincarnated as a human, Tsukino Usagi, not a White Moon princess). As part of the storyline Usagi, Sailor Venus and Chibiusa—who has the full and surprising name of Usagi Small Lady Serenity, ChibiUsa literally meaning ‘Little Usa(gi)’—travel to the future, 3oth Century Crystal Tokyo.

There Usagi is informed that she became Queen after giving birth to ChibiUsa around the age of 22. ChibiUsa is like 904 years old and all the humans of Earth are now functionally immortal upon reaching adulthood because of a mystical crystal which serves as the series’ McGuffin/awesome-looking magical power source.

Unsurprisingly Usagi is like ‘OMG I got to have SEX with Mamoru!!!!!!!!’ (Her reincarnated, destined-to-be husband).

My question was not ‘Cool, Usagi got to be Queen’ but how. I mean like, literally.

Did she have ChibiUsa and then declare, to her civilian family (who are never mentioned outside of 20th century Tokyo) that she was now ruler of the planet? Was there a coup? Did the other senshi forcibly help her take over? Did the UN just go: ‘Sure random Tokyo woman, go nuts, the Earth is all yours’. Did she use the Silver Crystal and perform miracles/brainwashed the planet’s population? Did all the Japanese TV/newspaper coverage and the Guardians’ wins against Queen Beryl, Metalia, the Black Moon Clan, Wiseman and Black Lady, Pharaoh 90 and Mistress 9, the Dead Moon Circus and Sailor Galaxia, finally teach all of Earth’s governments that Sailor Moon’s ultimate self could keep the Earth safe?

(Though, in the manga, NQS admits she lost most of her power as a Guardian when she ascended the throne.)

How has rankled me. I’d love to think given NQS’s benevolence and her posse of planetary guardians, plus cats, that it was a peaceful transition but the writer in me much prefers some kind of coup d’etat. Not bloodshed but not compliance either.

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So I started writing my own magical girl story about a Latina girl in a US school who becomes the saviour of a planet (complete with merchandising and hard-core PTSD). Tara Morreno is a kid in high school who also happens to be an old enough soul that the Fates have co-opted her into serving as saviour of the planet against a succession of more powerful foes.

Except this is a story in the vein of Madoka Magica, not Sailor Moon, meaning when Tara turns up to school with bruises and a black eye, her best friend Esme thinks she’s being beaten by a family member, her dead-beat father who left when she was small.

She certainly doesn’t think her best friend is fighting against a Dementor-like monster that is leeching the life from a parallel dimension in order to digest the Earth in chunks. Esme has her own role to play in the story because Tara is also, in her civilian life, a gay teen who has deep, unspoken feelings for her best friend. Esme is the one thing that keeps Tara going even when she’s so close to walking away from her life as Infinity Girl or dying in the middle of battle because she’s just not strong enough.

And that’s where I kinda forgot the question and this story became about Tara and Esme, being a magical girl where those wounds leave a mark. This is definitely an origin story and the start of a series of tales focusing on Tara’s adventures and the various creatures trying to take over the planet.

This is going to be fun.

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