The Music of the Spheres: A Cover

This has been my pet project for like years and I do want to actually finish it in 2017.

I stalk cover artists and when this one, by Desiree DeOrto, came up in her latest sale I took one look, checked my Patreon balance, and screamed: “MINE!!!” so loudly a half-dozen people were hoping the sale would fall through so they could buy it. I have several of her covers earmarked for different projects but this one just screamed Music. It’s like she read one of the scenes and did a custom cover but with the price tag of a premade.

*joy*

I’m easing into this one, the trick isn’t to dive in and drown, it’s to take it slowly, to plan and research. This cover, oh it’s so pretty and my current favourite. I don’t have the cash to edit or format right now so I’m going to focus on whatever project makes me feel hapy. Right now, that’s Music. Tomorrow it might be something else. Who knows. Yay for my weird autistic bipolarness!

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The Things We Remember: WiP Cover

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I got bored and when I get bored, I design covers. Though this story is technically a proof of concept novella-thing (I have like 9k right now, it’s easily going to cross the mandatory 12,500 SFWA barrier into novella territory) for The Things We Remember, I also have a second novella in mind, The Lies We Tell (which is set in 2028, about nine years later, and deals with the start of the Terran Schism and Second Contact). 

I’m, frankly, loving writing Remember as this allows me to get into the head of Astraea, my blind New York lawyer (no jokes please) and also establish her timeline. Especially as the other stories she narrates, all novellas, are individual cases set in different points in her life and career.

This story, though, it’s about her pregnancy and the stories she tells her unborn son. The lives, the fragments of memory she’s kept locked away, but remain with her due to their importance or, sometimes, their normality. This is interspersed with the modern day as she moves from discovering her pregnancy, celebrating her niece’s bat mitzvah and telling family to and giving birth.

I’ve already written the last scene but the fun bit are the italicised sections, each a different life. Oh and I do like this cover, though it’s sadly inadequate due to Canva’s limited font-manipulating abilities, especially as the one for Lies is the left side of the same image, a much more troubled, stressed looking side to Astraea, which mirrors what happens when the Ashterai reveal themselves to humanity and she volunteers to be in the ‘hey I’ve been pretending to be human but I’m not’ vanguard.

What do you think?

I’m going to be posting this on Patreon so if you want to read it, you can pledge for content, stories and what not here: https://www.patreon.com/ashabardon

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The Liner Notes: “One Quiet Night”

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Last year my friend Shannon was staying with me while she looked for places in London. Being Canadian, the capital was calling her like a moth to a flame, I was like that once too, even if I didn’t go into the city much until my final year at uni and after. Anyway, for fun, we invited around two geek friends of mine, Mel and Kris, for a night of pizza and board games. I didn’t even know that was a thing until Shannon got me playing them. Now I’m a huge fan of Cards Against Humanity on principle because it is the perfect adult game, mainly because it works better the more you drink.

Yeah, it got pretty rude towards the end.

Anyway, we also played Pandemic which Shannon had previously introduced me and a somewhat sceptical Uni too. It’s a lot more fun when you have two more players and I’m totally for anything involving viruses and extinction level events (this is what I get from reading far too much Seanan McGuire). One of the cards, titled One Quiet Night, stuck with me (Hi, Pandemic folk, please don’t sue me!) and thus was my story born.

I wrote “One Quiet Night” in second person because I wanted to really get readers stuck in the story, setting it in an unnamed town near to where I live. It focuses on an unnamed single mother who’s daughter, Carly, has caught a new strain of flu which is, literally, killing humanity not that my protagonist has completely realised her daughter is dying. Then the phone goes out and she can’t figure out why. Oh and her elder son, Brandon, isn’t all himself either.

This story is so British it’s almost painful. That was half the point as I’m aware most readers won’t be; the British words like ‘mobile’, ‘GP’ and ‘101’ are going to confuse the heck out of people, thushopefully—heightening the tension. Added to that the isolation, which is straight out of every horror story ever, is particularly poignant. Especially when the protagonist realises she’s not the only one watching her child die to a disease humanity simply doesn’t have a cure too.

I remember when H1N1 and swine flu were things; there was never that much panic buying, at least not in my little town but everyone was almost painfully aware—exacerbated entirely by Twitter and Facebook—that something foul was in the air. That’s where the rest of this story came from, even though back then at least there was no real danger, not if people were smart (and people so seldom are).

Here’s the cover I designed for it (I think the image is gorgeous and totally fits the story which is contemporary but also sci fi):

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As a reminder, here’s the blurb:

It only takes one quiet night for humanity to die …

Everyone expects zombies and nuclear fire to herald the destruction of the Earth but the end, at least in this tale, comes much more quietly. Your daughter is sick, the entire world is dying, and there’s nothing you can do. 

Yes, you

Step into the shoes of a single mother whose daughter doesn’t just have a simple bug but is one of millions afflicting with a terrifying virus which is quietly decimating humanity.

And you’re not the only one watching her die.

Oh and you can go preorder the book (which is out 1st May) by going here: smarturl.it/Mosaics2

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Hey Look! It’s the Mosaics: Volumes One and Two Covers

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How cool are these? And please do click on each one to pre-order. I’ve got a story in Volume 2 called “One Quiet Night” but I wanted to showcase both covers because why not? Volume 1 is out March 8th and features a collection of short stories, flash fiction and essays from a bunch of amazing women. Volume 2 will follow with even more, including my contribution.

I don’t have the release date for Volume 2 yet but it’s apparently going to be confirmed by the end of March, to tie in with the first volume’s release. I’m just excited to be involved that that Pavarti and Kim loved my little story.

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